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“There are days I’m debilitated to the point where I can barely move,” she told “It’s very isolating," she added.

"I’m used to being the Rock of Gibraltar, providing, protecting and maneuvering. I’ve known myself to be a really incredible decision-maker and a leader that people can rely on.

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At 21 years old, Morissette no longer let others define her; Dropped from MCA Records after those first two albums, Ottawa-born Morissette travelled to California to write new songs and eventually found a co-writer in Glen Ballard (Paula Abdul, Wilson Phillips, the Pointer Sisters). When a 19-year-old Canadian woman with a hell of a lot to say headed west from Toronto and found her voice. Waxman: As big as it was, and as quickly as it got big, when she was on the cover of Rolling Stone it was like holy shit.

Together, they have an eight-year-old son, Ever Imre, and a two-year-old daughter, Onyx Solace.

The seven-time Grammy award winner shared the joyful news in a stirring black and white photo on Instagram with the caption, "So much NEWness." She's referring not only to her growing family, but to new music, which she hinted at since she's recording in the shot.

In addition, Morissette has a musical, Though this is certainly a happy moment, Morissette has been open about her struggles with postpartum depression in the past.

I was just writing day and night — I have calendars from that period of time where I have a writing session in the morning and a writing session at night, seven days a week, Saturdays and Sundays, and that's all I did. We finished it that night, recorded it and played it for our publisher the next day and they liked it, and they said keep going. Halket: We just sat down and watched it, and I loved it.

Ballard: In February of 1994, a young publisher named Kurt Dinney, who was at MCA Music Publishing, and was working in the L. office, he called me and said that he had a writer coming in town from Canada and he had thought me to write with her and that's how it all started. And he told me that she was going to be in town for a short time and wanted to write songs. I mean I just think that the song was just so obvious. Worden: The [Maverick] record rep had called us saying, "We have something really special, we want to come play it for you and it's a new artist and she's out of Canada," and whatever, and so they came in and played us "You Oughta Know." And I remember sitting in the room and me and my boss, Kevin, and my coworker Jean, all of us kind of looked at each other on one listen and just went holy crap, that thing is huge. I mean, I think certainly some of the radio people were probably hesitant at the beginning because it was moving to a completely different genre. It was actually fascinating to watch because it wasn't just that people were reacting so positively it's just that the record really seemed to connect with everybody. Ballard: Of course I know that it moved a lot of people, and I'm still astonished by how many people were touched by that record.

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